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Marja Bosma -
Text in catalogue of the exhibition in Central Museum, Utrecht 2004.


Wide panoramas enroll on a painstakingly accurate negative screen pattern.This negative screen is not only a means for the artist to copy and enlarge a sketch but it also adds a suggestive meaning to the image, a kind of scientific accuracy. As if an image from a long gone era suddenly emerges on a radar-screen. An image which location can be precisely defined. A sort of science-fiction following the footprints of say Jules Verne.

Translated by Ad van Rijswijk